Ivan’s Top Ten Movies of 2016

It may seem like this year we’ve lost too much. Celebrities, loved ones, journalism, gorillas, never having seen Kevin Spacey as a cat…we saw major losses in these areas in the year that was 2016. While we can lament these as well as a summer of fairly disappointing blockbusters, 2016 still did produce some incredible cinema experiences.

While we were never quite mentally prepared for the darkness of Nocturnal Animals, couldn’t pull together the energy to watch another Tom Hanks biopic in Sully, and were scared away by mixed reviews for Snowden and Florence Foster Jenkins, we did make it to the movies a lot this year. So as we all anxiously await the release of 2017’s hottest offerings (ex: Monster Trucks), and spend our holiday off time looking to catch up on what this past year gave us, here are my top ten favorite movies of 2016.

10. The Lobster (R)

The Lobster is really weird. In this story’s dystopian future, heartthrob Colin Farrell is a virtually un-datable slob. His character is then forced to a remote resort where the goal is to find your mate and marry them. The catch is that if you fail to find your mate in the allotted time you will live your remaining days transformed into an animal of your choosing. If you can handle that odd premise along with some explicit content, The Lobster offers a very unique and insightful commentary on who we chose to love. This was by far the most unique movie watching experience I had this year, but it will not be for everyone.

9. Sing Street (PG-13)

Yes, I saw La La Land, and no, it was not my favorite musical of the year. That title belongs to Sing Street. Director John Carney knows how to make musical movies…or are they movies with music? Either way they are enjoyable. You may know him for Once or Begin Again, both worth checking out if you haven’t. The back drop of Sing Street is the grayscale dinge of poverty-stricken Dublin in the 1980’s. Contrast that with the synthy bright colors of 80’s pop like Culture Club and Duran Duran and you have the stand-out coming-of-age movie of the year. Not only that, but at least once a week, I find the music in my head.

8. Fences (PG-13)

A theme that has emerged from many of my favorite films this year has been generational patterns and familial influence on our behaviors and personality. Fences takes place entirely on a back patio in a working-class neighborhood in pre-civil rights Pittsburgh and brings the poetry of playwright August Wilson to life. I left the film wondering aloud if Denzel Washington’s Troy was a good man and I’m sure almost anyone who experiences this story might answer that question differently. The characters are layered and emotions run deep with the pains of being a generation before the waves of significant change. Still, the patterns both in this family and the world are relevant for today’s culture. Are we doomed to repeat these same patterns? Are you above the mistakes of the past? Are you a good person? Fences makes you confront these questions.

7. Rogue One: A Star Wars Story (PG-13)

There’s a chance that I will always be a supporter of having more Star Wars. Sometimes with that worldview, I get burnt. (Looking at you, droid-centric episodes of Clone Wars) With Rogue One, though, I felt the weight of the galactic rebellion more than ever and was given more context and depth to the universe I’ve loved for so long. Not many blockbusters landed on my list this year, but with its diverse cast and war-like feel, I couldn’t ignore the first in hopefully many Star Wars anthology movies.

Read my complete review here

6. 10 Cloverfield Lane (PG-13)

2008’s Cloverfield will always be one of the most memorable times I’ve had at the movies. It was point-of-view found footage done right. It was large in scale. It put audiences into a monster attack of a major city. 10 Cloverfield Lane is its wildly different sequel…maybe prequel…maybe not related at all thing and it was my favorite horror movie of the year. It locks you in a bunker with a few of the best performances of the year. Growing up watching Rosanne, I did not know I would be floored by the work John Goodman is capable of, but he carried this movie. The suspense, the mystery, the terror of this story rests on his shoulders and they are broad.

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5. Jackie (R)

If Rogue One gave me some welcome context to the fictional history of Star Wars, then Jackie did the same for actual U.S. history. We often hear tales of our highest office through the lives of the men who held it, but at different times in our country’s story the narrative was advanced by women. Director Pablo Larrain worked very hard to make this story about Jackie Kennedy her story. Even when President Kennedy is on screen he is in the peripheral. It is difficult to imagine all that Jackie was juggling in the weeks after JFK’s assassination, but Jackie sheds light on what it might have been like. It’s heartbreaking, powerful, religious, and probably the best performance by an actress this year.

4. Arrival (PG-13)

We struggle in our current climate to understand each other. Arrival sends an impactful message that we need other people, other cultures in our lives and does so through an inventive science fiction world. It also demonstrates how deep the divide in cross-cultural communication can be while giving hope that it is an obstacle that can be overcome.

Read my complete review here

3. Manchester by the Sea (R)

Manchester by the Sea might be more accurately titled We Don’t Need to Talk About This Now. This story is largely about grief, but it is an intensely relatable depiction of grief for me. The men in this film are like many I know, including the guy in my mirror. Conflict, pain, and feeling are easy to avoid until they’re not…until a bump on the head or swing of emotion forces everything out. Casey Affleck probably will earn best actor honors for his work here but he is supported by amazing efforts from newcomer Lucas Hedges and everyone’s favorite TV football coach Kyle Chandler not to mention brief but stellar moments with Michelle Williams. Manchester is a very authentic story…maybe too authentic. I wasn’t ready for a therapy session, but got to see many coping mechanisms I employ played out right in front of me. Don’t worry, though, we don’t have to talk about that now.

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2. Moonlight (R)

Even people in the best of circumstances can have a hard time establishing personal identity. Moonlight is very much about trying to figure out who you are in the worst of scenarios. Aside from everything I’ve written already about Moonlight, this is a beautifully directed, written, and acted film. It deserves acclaim at every level of filmmaking. Like others on this list it won’t be for everyone, but it is a story seldom given the light of day.

Read my complete review here

1. Hell or High Water (R)

Many of the movies on my list this year are about families. I was floored by the complexity and inner turmoil of Denzel Washington’s patriarch in Fences. I found great inspiration in the matriarch America needed in Jackie. I empathized right along with Kyle Chandler’s older brother character in Manchester by the Sea. My heart broke when Naomi Harris’s character in Moonlight forces her son to give her money for drugs. Still, one role hit me hardest this year, Ben Foster’s sloppy, unlovable Tanner in Hell or High Water.

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In this modern day western, we witness the history of this family slowly unfold. The film makes you root for Chris Pine’s scruffy-yet-attractive Toby all the while his brother Tanner drives you crazy. As the story progresses, you start to see that Tanner didn’t become that way overnight and as Toby is making sacrifices for his children, Tanner has given so much more to offer his family a chance in a world that was beating them down. Hell or High Water is funny, suspenseful, action-packed, and an emotional punch in the gut. A punch Tanner would probably take for you if you were family. Overall, we learned a lot from these diverse narratives this year. We learned to do anything for family, to keep space in our lives for others, to express our emotions in healthy ways, and to be prepared to name your favorite animal. Mine is the T-Rex.

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Ivan’s Top Ten Movies of 2015

Well 2015 is in the past and I do feel like it was a good year for movies. It was at least the most financially successful year to date with a combined box office haul of over $11 billion. So here are my top ten movies of the year. The ones that I enjoyed the most, was affected by the most, or I thought were most important. But first, to ease your mind, here are the movies we didn’t get to see this year.

We Didnt See 2015

10. Me and Earl and the Dying Girl

When tragedy strikes, people create mechanisms in their lives to make sense of it all. Me and Earl and the Dying Girl created an authentic and entertaining voice to this meaning-making process of struggle and grief. The characters were likable but flawed, they were relatable but unique. Overall, it was a fun and cathartic movie as the audience tries to make sense of the world through the lens of these somewhat bratty, creative, loveable emerging adults.

Dope

Dope (2015)

9. Dope

We all have categories or boxes that people put us into and we all put others into categories and boxes. It’s what we do as people. What I love about Dope is that it deals with characters that are wildly complex. I am a huge fan of writer, director, producer Rick Famuyiwa and, especially, one his earlier works, The Wood. Famuyiwa brought a similar tone and authenticity to Dope while asking questions about his characters and the world they live in that perhaps we should all be asking. And not just asking them of ourselves, but also in how we view others. I will say, even as I write this, I stand conflicted about this movie because there are a few sexually explicit and potentially exploitative scenes in the film. Hopefully, in a few years you can catch an edited for TV version of Dope so you can get the thematic weight without the, perhaps, unnecessary raunch.

8. Ex Machina

Where Dope asks questions of what does it mean to be categorized and stereotyped, Ex Machina asks what does it mean to be human all together. This movie is gripping and intense. As the tension builds, and as I wrestled with these larger questions of existence, I felt my heart beating and pulse pounding as if the film was trying to tell me that I was indeed alive. You can read more about Ex Machina in my review here: Artificial Intelligence and Isolation through the Looking Glass 

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7. Inside Out

Emotions can be scary. They can be misleading, they can drive us to tears, some of us feel like they have complete control over us. It’s intimidating and humbling. Then Pixar sprinkled their magic on emotions and makes them personable and fun. What I love most about Inside Out is that it teaches us that our emotions are ok and they are part of what makes us human. A lesson children desperately need to learn…and adults too. Go deeper into Inside Out with my review here: From the Inside Out

6. The End of the Tour

I wish The End of the Tour was getting more awards attention. This film almost convinced me to read David Foster Wallace’s 1000+ page master work, Infinite Jest. That is saying something as I am rarely ever compelled to read anything. Not only that, Jason Segal’s portrayal of the author had me attentively fixed on him during the entire movie waiting for what he would say next, hoping that answers to life’s bigger questions would come. If Segal’s take on Wallace was at all correct, than he was an absolute genius tormented by an internal war between what he knows about the world and a desire to not act like he knows everything. It left me feeling like in Wallace, who was gripped by depression, we lost a potentially great truth teller that our world could definitely use. Here was his take in the late 1990’s on the growing porn industry:

“You’re having a fantasy relationship with somebody who is not real… strictly to stimulate a neurological response. So as the Internet grows in the next 10, 15 years… and virtual reality pornography becomes a reality, we’re gonna have to develop some real machinery inside our guts… to turn off pure, unalloyed pleasure. Or, I don’t know about you, I’m gonna have to leave the planet. ‘Cause the technology is just gonna get better and better. And it’s gonna get easier and easier… and more and more convenient and more and more pleasurable… to sit alone with images on a screen… given to us by people who do not love us but want our money. And that’s fine in low doses, but if it’s the basic main staple of your diet, you’re gonna die.”

5. Steve Jobs

A lot has been said and documented about the life and business of Steve Jobs, but this film chose to limit our interactions with him to three intense, impactful moments in his career. This was a choice that I loved and as Michael Fassbender’s performance carries you through the film, I felt like we got a new, creative, and interesting take on a man many of us feel like we already know because we have his life’s work buzzing around in our pockets and purses.

4. Creed

I still can’t believe how much I loved Creed. I can’t believe how smart, sensitive, and engaging a film in the Rocky series can be after the pitfalls of the latter installments. I can’t believe writer, director Ryan Coogler is 29 years old. I can’t believe this young man went to Sylvester Stallone and pitched the idea for this movie, got it made, and inspired one of Stallone’s best performances in years. It’s all hard to believe but when that familiar Rocky score hits and his beautiful film is built up to it’s climax, you will believe.

THE BIG SHORT

The Big Short (2015)

3. The Big Short

Talladega Nights: The Ballad of Ricky Bobby came out when I was in college and like any young, college male I found it hilarious. Oh to be young again. So when I heard it’s writer and director was making a film about the economic crash of 2008, I did what Adam McKay had trained me to do at his work…laugh. Then I watched the movie and I laughed and cried and got angry and lamented. The Big Short is deceptively brilliant because McKay approached the film humbly out his own ignorance of the topic and desire to help anyone understand what happened. Match that humility with career performances from Steve Carell and Christian Bale and you get a huge payoff.

2. Star Wars: The Force Awakens

Star Wars is back, people! Weeks after I’ve seen the movie it still dominates my thoughts and conversations. I loved The Force Awakens so much but I will reserve the number one spot and a high grade for the movie because I believe and hope that there is still room to grow in this new trilogy. So I expect to love the next installments even more and I won’t let my fanboy emotions eclipse my number one movie that may have affected me on a different level. The Force Awakens is my favorite movie of the year, but that didn’t necessarily mean it was the best movie of the year. Read my spoilery thoughts on my favorite new character and the hope I have for the galaxy here: Star Wars: A Rey of Hope 

Mark Ruffalo

Mark Ruffalo totally retweeted me. Not why I put Spotlight at #1.

1. Spotlight

On our honeymoon, Heather and I, looking to relax for a couple hours after walking around Portland, ME’s hills and bay front, walked into a theater and watched Ryan Coogler’s Fruitvale Station. I left the theater less than relaxed. I was physically, emotionally, and spiritually wrecked by that movie and this year that same feeling happened again as I watched Spotlight. The film is about the journalists that investigated and brought to light the Catholic priest child molestation scandal of the early 2000’s. As I watched this very tense film, filled with great performances, I felt the weight of an entire city all questioning their faith at once. It was convicting, haunting, and authentic. I left the theater weighed down by the sin of men I didn’t know, but ultimately lifted up by a force that isn’t afraid to bring such darkness into the light.

Here are our combined 2015 Top Ten Lists! Find Heather’s here!

Our Top Tens 2015