Heather’s Top Ten Films of 2017

This has been a strange year for movies. Normally I have a very difficult time narrowing a list down to what I consider the best ten of the year, but in 2017 it has been a challenge to fill a list of ten. In my perception so many films lacked heart and focus. Movies like “Three Billboards Outside Ebbing Missouri” and even “The Shape of Water” felt flat or preachy or simply lacked resonance. For me there was a deficit of beauty, and stories that captivated. Perhaps it reflects our cultural moment in 2017 that we are all struggling to find meaning and honesty. We are still struggling to open our hearts to one another. That may have influenced the stories we told this year and the way we reacted to them. Here are the movies that stayed with me and caused me to think, feel, and connect to the human experience.

Honorable mention: These did not make the final cut but were well crafted stories that could be worth your time.

Molly’s Game – Written and directed by Aaron Sorkin, Molly’s Game is terrific. Sorkin is known for snappy dialogue which Jessica Chastain and Idris Alba deliver perfectly. Based on the true story of a young woman who creates a high-stakes poker empire, you do not want to miss this superbly written, wonderfully acted film.

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The Square – This is a Swedish film so the European style may feel strange to some, but it is a thoughtful exploration of the way humans relate to each other. It is quirky and uncomfortable at times, but makes beautiful use of motifs and symbols. If you are looking for a movie to give you plenty to process later, give this one a try.

Ingrid Goes West – This was a small movie which came out over the summer that focuses on Instagram culture and how we curate ourselves to others. It highlights the tendency to collect experiences in order to present a meaningful life. What is special about this take on social media is that it explores how we use the platform rather than categorically condemning it. The ending is controversial, but I find myself frequently returning to the themes in the story.

The Big Sick – The ideas in this story will feel familiar to audiences of Aziz Ansari’s Netflix show “Master of None”, but it is a warm and funny true story. It is acted beautifully with Ray Romano and Holly Hunter turning in particularly poignant performances.

Top Ten:

  1. The Beguiled – Director Sophia Coppola’s most recent film, a clever remake of a 1970s “exploitation” film of the same name and based on a novel. The original film was heavily sexualized, focusing on the male lead Clint Eastwood. The novel was also authored by a man, and the story follows an inter-generational group of women living in a girl’s school during the Civil War when all the men were away. One injured soldier wanders to their home and they take him in to tend his wounds. What I love about this story is the way Coppola reclaims the emphasis of the film to turn the focus onto the dynamics of women relating to one another during an extraordinary time period. Make sure you watch the special features for the film, Coppola’s vision for the story is beautiful as are her relationships with her cast.

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  1. Coco – Pixar’s major film for the holidays is a charming and heartfelt story about family, legacy and forgiveness. The animation is stunning, the music is catchy, and the narrative is well developed and sweet. A great choice for the whole family!

 

  1. Baby Driver – The remarkable aspect of this film is the incredibly creative and precise use of the soundtrack. The story follows a young getaway car driver nicknamed Baby who suffers from constant tinnitus. To balance out the ringing in his ears, he has a collection of iPods with carefully selected playlists so he has music for every situation throughout his day. The soundtrack to the film is the music Baby is listening to, which is intricately choreographed with each movement and sound in the movie. Writer/director Edgar Wright gave the screenplay to the cast on iPads so they could listen to the corresponding music which would punctuate each scene as they read. The story is fairly simple but the use of sound editing makes it a feat of filmmaking that will you bring you back for multiple viewings.

 

  1. The Last Jedi – You do not have to be a Star Wars fan to enjoy this movie (although it probably helps). There are many things to appreciate about this installment. The cinematography is breathtaking, the characters are wonderful, the story is developed well. What struck me most is the theme of generational hand-off. How does the older generation work through their past failures and habits and empower the next generation to take their places? How does the younger generation step up to wisely channel our energy? These are important questions for the Church that Star Wars could help us think about.

 

  1. Ladybird – This is a great coming of age story that embraces and also transcends the genre. Director/writer Greta Gerwig lends an insightful take to not only depict youth but also parenthood and place. Ladybird beautifully explores adolescent ambivalence between trying to distance oneself from roots and what has shaped us, and desperately wanting to feel connected to those same things. With a wonderful lead performance by Saoirse Ronan and terrific supporting roles, this was a stand-out.

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  1. Wonder Woman – This movie produced one of the most emotional connections I had with a film this year. I think for me and for countless women in the US and around the world, Wonder Woman met a need we did not know we had. She is a female super hero in the truest sense. She is strong and capable and compassionate and determined. Her power is not in acting like a man, but in channeling the best of femininity. There is a specific scene in the middle of the film when Diana runs towards a fight, without hesitation and without fear. I still feel proud and empowered every time I think of this scene and what it means to see a woman act with courage and advocacy. The third act of the movie is a little clumsy, but otherwise it is a rare gift in the super hero genre.

 

  1. Silence – Based on the Japanese novel of the same name, this adaptation was ten years in the making for Martin Scorsese. It was released in early January 2017 which is why I am counting it in this year’s contention. The book is a haunting story of Portuguese Jesuit priests who were missionaries to Japan in the 1500s. The plot deals with faith, culture, doubt, martyrdom, and the question of where is God in human suffering. It is also a rare movie that portrays white characters entering a foreign culture in a way that honors and elevates the Japanese characters, treating them as equals with meaningful dialogue and autonomy. The runtime is long and the content is intense, but the story raises questions that are worthy of your wrestling.

 

  1. Mudbound – Ivan wrote a full review so mine will be brief. What I appreciated about this film is that it told a story not often highlighted. It follows two WWII GIs, one white, one African-American, coming back to the Mississippi Delta and readjusting to a Jim Crow South. The US tends to ignore our racial history between 1865-1965 so this is a story that very much needs to be told.

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  1. Detroit – This summer offering was met with some controversy, perhaps because director Kathryn Bigelow’s approach was misunderstood. As a director who has previously told stories that follow war and torture, she lends a fascinating take to US race relations. Her style brings a fresh lens to how we might view the policing of communities of color. It is very intense to watch, but that is the point. Check out my full review for synopsis and thematic analysis.

 

  1. Get Out – I typically avoid horror films and have mixed feelings about the genre, but writer/director Jordan Peele blew me away with his February release. He harnessed the best of what horror can be, turning a magnifying glass onto daily realities to reveal the underlying atrocities. The narrative is a horror film about racism, cultural appropriation, and turns many classic tropes on their heads to bring the audience face to face with our prejudices. It is wildly creative and I think a brilliant work. The violence is relatively minor for the genre, so even if you dislike horror as I do, consider giving it a watch.

 

Viewer content guide: Please note that some of my selections are rated R and/or contain adult content. In my opinion the value of the overall story is worth the potentially offensive content, but use your own discretion and look up ratings before viewing.

 

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The Power of The Last Jedi

“You underestimate the power of the dark side,” says Darth Vader to his son and desired apprentice Luke Skywalker. It’s one of those Star Wars lines that sticks with you. The line is meant to strike fear in young Skywalker, but it puts on display one of the major themes of the saga and one that is so beautifully at the center in the newest installment, The Last Jedi. In an expansive galaxy like that of Star Wars, with expert pilots, exotic alien creatures, and supernatural warrior priests, who has the most power? What does true power look like?

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The easy answer for many long-time fans would be “The Force.” After all, according to Obi Wan Kenobi, The Force is “an energy field created by all living things. It surrounds us and penetrates us; it binds the galaxy together.” The genius of The Last Jedi is that it, not only calls into question what we know about The Force, but shows us that it is not the be-all-end-all of power in the galaxy. The ancient war that has been waging for decades across the saga, framed by a simple conflict between light and dark, just isn’t that simple after all. Which is a lesson Luke Skywalker, the legendary hero of the original trilogy, has had to learn the hard way.

What the new movies have done so well is thematically and narratively explore the lives of the old cast through the eyes of the new. 2015’s The Force Awakens did this through Han. Han Solo has always been the ultimate lone wolf, on the run from one thing or another. In Episode VII, we meet Finn and Rey, two people at a point in their lives where they are ready to escape and Han is the perfect spiritual guide. Throughout the movie Rey, ready for a father figure, bonds with Han and with his ship, the Millennium Falcon, which has been the ultimate getaway car throughout Star Wars cannon. Finn escapes his life as a Stormtrooper and is confronted with a decision to keep running or be a part of something bigger. There are so many parallels to what we know of Han’s story in both Finn and Rey. The Force Awakens was very much Han’s chapter. In the same way, The Last Jedi is Luke’s.

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Even in the final moments of Episode VII, there is a literal hand-off of the story taking place. Now if we’re going to explore the life of Luke Skywalker that means we have to explore The Force, the history of the Jedi, and the allure of the dark side. The Luke we meet in The Last Jedi is a failure. He tried to live up to his legend and lost control setting into motion many of the events of the new movies. He’s spent his time since absorbing all of the past mistakes of the Jedi, knowledge that brilliantly ties together the mythology of the prequels to the original trilogy. Back in 2015, I wrote about the failures of the Jedi order, but basically Luke has realized that the Jedi failed because of their own quest for power. At their peak, the Jedi assumed reign over the galaxy, but just when their power peaked, when they thought they had it locked down, they were vulnerable to manipulation, deceit, and were over thrown. This was the story of Episodes I-III.

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Into Luke’s despair and regret walks Rey pleading with him to be her mentor, to show her where she fits in the grand scheme of things. Really, what she is pleading for is exactly what the Jedi were supposed to be. It is very difficult to be defined by your power when you are actively trying to help someone become more powerful than you. At the end of The Force Awakens, Kylo Ren tells Rey she needs a teacher, a sentiment she repeats to Luke. She doesn’t need a Jedi knight to ride into battle, she needs a Jedi master. “We are what they grow beyond. That is the true burden of all masters.” I won’t tell you who says this to whom in The Last Jedi, but it might as well have been Jesus talking to his disciples or Barnabas talking to Paul.

Pastor Efrem Smith tweeted recently, “If Christians were meant to pursue political power at any cost, Christ wouldn’t have turned down Satan’s offers in the wilderness.” At the height of Jesus’ ministry, he gave up his life and at the height of his power, after resurrecting from the dead, he ascends into Heaven giving space for the apostles to lead. This has to be the example Barnabas was following when it came time to develop his apprentice, Paul. In Barnabas we have the man who vouched for the murderer Paul, the man who took that villain and trained him to be a Biblical hero, but to do all that he had to risk all of his power and eventually give it all away to Paul.

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This is also a lesson ace pilot Poe Dameron must learn in The Last Jedi. He has been flying by on his ability and skills for too long, and now must learn what it really means to lead the rebellion. Luckily, he is surrounded by resistance leaders who, just like Luke has learned his lessons about the Force, have learned their lessons about war. Without the legend of Luke Skywalker supplying hope to the resistance, Poe and Leia are racing against the clock to keep the rebellion alive. What is perhaps most heartbreaking about The Last Jedi is that, as Han’s story handed off to Luke at the end of Episode VII, Episode VIII, in so many ways, hands the story off to Leia and the resistance. This, however, is a chapter we will never totally see. The story of Princess Leia has ended off of the silver screen.

There are times in The Last Jedi where it feels like everyone is failing, and they are. The film reminds us, though, that failure is the greatest teacher. When we feel like we can’t fail, like the prequels’ Jedi order or Supreme Leader Snoke, or when we are afraid to fail, like Luke when he was training Ben Solo, we may have failed already. What does it look like to give your power away to the next generation? What does it look like to lay your life down in the ultimate resignation of your power? The answers to those questions are the ones Rey, Poe, and the resistance learn in The Last Jedi and will guide the saga into Episode IX.

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