“This Is America” and the prophetic voice

The internet has been in an uproar. While Donald Glover was hosting Saturday Night Live he unexpectedly dropped a new music video from his hip-hop persona Childish Gambino, This Is America. It has 92 million views in less than a week, sparking debate and vigorous attempts to interpret the social meaning of the video. Directed by Hiro Murai, a frequent director on Glover’s FX show Atlanta, the camera follows Childish Gambino as he dances his way through a series of viscerally intense scenarios. The scenes depict Glover’s experience of being a black man in America, raising conversations around gun violence, black entertainment, the socializing of black children, protests, poverty, and more. (The video contains two brief scenes of shocking violence, a marijuana joint, and one curse word, all handled with artistic value.) For a thorough breakdown of the themes of the video without the moments of violence, go here.

TIA gif

From my vantage point as a white female viewer, I was most struck by This Is America’s use of distraction and redirection. The first time I watched the video I was captured by Gambino’s dance moves and expressions. The background action is often intentionally out of focus, making it that much easier to only notice the entertainment and ignore the chaos taking place behind him. Multiple times Gambino is surrounded by teenage school children, dancing in perfect synchronization with smiles on their faces. To be quite frank, my first thoughts were, “Wow, Donald Glover is actually a really good dancer!” For me that was a major part of the genius of the video. As a casual viewer I immediately fell into the trap of only being entertained without wrestling with the deeper themes of racism and violence in America. In so doing I was confronted with my willingness to only notice things that are pleasant to watch while tuning out harsh realities that lead to feelings of discomfort or sorrow. Is that not a widespread temptation in our society today? To be pleased when we are comfortable and angry when we are confronted with things we would rather ignore?

As I watched the video a few more times, I was soon reminded of the Old Testament prophets. From Isaiah to Malachi, the role of the prophets was to proclaim God’s word to God’s people. God spoke through the prophets over and over again to call the people away from sinful disobedience and back to God’s covenant relationship. The people continually fell into all kinds of destructive practices that were eroding their society. The prophets would call out the sins of the people, commanding them to return to the Lord before they became past the point of no return. There was always an assurance of restoration, God’s perfect balance of justice and mercy. God would act in response to violence and exploitation of the vulnerable, and would always seek the good of the people. Let’s look at a few of the prophetic exhortations:

The word of the Lord came to me:

“Son of man, will you judge her (Jerusalem)? Will you judge this city of bloodshed? Then confront her with all her detestable practices and say: ‘This is what the Sovereign Lord says: You city that brings on herself doom by shedding blood in her midst and defiles herself by making idols, you have become guilty because of the blood you have shed and have become defiled by the idols you have made. You have brought your days to a close, and the end of your years has come. Therefore I will make you an object of scorn to the nations and a laughingstock to all the countries. Those who are near and those who are far away will mock you, you infamous city, full of turmoil. 29 The people of the land practice extortion and commit robbery; they oppress the poor and needy and mistreat the foreigner, denying them justice. ~ Ezekiel 22:1-5, 29

“My people, what have I done to you?
How have I burdened you? Answer me.

10 Am I still to forget your ill-gotten treasures, you wicked house,
and the short scales, which is accursed?
11 Shall I acquit someone with dishonest scales,
with a bag of false weights?
12 Your rich people are violent;
your inhabitants are liars
and their tongues speak deceitfully. ~ Micah 6:3, 10-12

27 Like cages full of birds,
their houses are full of deceit;
they have become rich and powerful
28     and have grown fat and sleek.
Their evil deeds have no limit;
they do not seek justice.
They do not promote the case of the fatherless;
they do not defend the just cause of the poor.
29 Should I not punish them for this?”
declares the Lord.
“Should I not avenge myself
on such a nation as this?

11 They dress the wound of my people
as though it were not serious.
“Peace, peace,” they say,
when there is no peace. ~ Jeremiah 5:27-29, 8:11

And the word of the Lord came again to Zechariah: “This is what the Lord Almighty said: ‘Administer true justice; show mercy and compassion to one another. 10 Do not oppress the widow or the fatherless, the foreigner or the poor. Do not plot evil against each other.’

11 “But they refused to pay attention; stubbornly they turned their backs and covered their ears. 12 They made their hearts as hard as flint and would not listen to the law or to the words that the Lord Almighty had sent by his Spirit through the earlier prophets. So the Lord Almighty was very angry. ~ Zechariah 7:8-12

Stubbornly they turned their backs and covered their ears. America is not the nation of Israel, and to my knowledge Glover does not profess a Christian faith, but This Is America is tapping into some universal biblical truth. The prophets frantically tried to hold a mirror up to Israel to show them where their comfort and self-indulgence were resulting in the dismantling of their society. Those themes are echoed in this modern expression. The video confronts its viewers with the ways that our desires for comfort and excess are causing us to ignore the marginalized, allowing violence to go unchecked.

TIA cars

It is also fitting that this call is coming in the form of a music video that makes use of symbols and extreme imagery. God frequently commanded the prophets to physically act out behaviors that were metaphorical for Israel. Hosea marries a prostitute who cheats on him and runs out on him. Yet Hosea pursues her and brings her home, symbolizing in a powerful way God’s love and pursuit of an unfaithful people (Hos. 1-3). Ezekiel builds a mini replica of the siege of Jerusalem and lies on his side for 390 days, then his other side for 40 days to symbolize God’s judgment on Israel and Judah. He is given instructions to make a specific bread with specific daily rations, indicating that the people would eat “unclean bread” during the Babylonian exile (Ez. 4). Jeremiah is commanded to buy a linen belt, place it in the cleft of a rock by the Euphrates and leave it for several days. He then went and retrieved it, revealing that it was now ruined as a garment in the same way that Israel had become worthless in their disobedience to God (Jer. 13). He is also commanded to break a clay jar to symbolize God breaking all their tools of idolatry (Jer. 19).

God is a brilliant communicator who understands that as humans, just being told something does not always mean that it will sink in. Sometimes we have to see it acted out in order for the gravity of a situation to become real. In a very similar style, This Is America puts forth jarring representations of uncomfortable realities in a way that causes them to be unavoidable.

All good art elicits a reaction. The question now is whether our reactions can move past cultural decoder rings and into hearts softened by compassion and repentance. The prophets were notoriously hated and often martyred. Anyone bearing a message that the public does not want to hear is putting themselves at risk. Will we be better listeners than those that came before us? Will we listen when confronted with experiences we may not all share but which call us to active engagement? Will we hear the cries of the prophets that echo across time and place? I pray that we will respond, not just to modern art, but to God’s timeless love of justice and mercy.

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How Adele Saved the World: A Story of Hope

We watched in horror. Almost too sad to put our lament into words, many defaulted to a red, blue, and white filter over their profile pic. The most romantic city in the world, for the second time in a year, had been the target of devastation. As the glow of the City of Light struggled to shine through the smoke and debris, here in America we tried our best to express hope and courage. This loss of words, though, quickly reversed into chaos.

Grieving over Paris

One week we were unified with a country that was experiencing their own 9/11, the next we were at war with ourselves over the fate of the Syrian refugees, the punctuation on an era in American history plagued by polarizing stances. Then out of the fog of your friends, neighbors, and semi-acquaintances all-caps-yelling at one another, the silky, smooth vibrations of a lioness roared out…”Hello.”

Adele brought the world together. We laughed as Saturday Night Live drew attention to the phenomenon of her newest release “25,” but it is grounded in clear truth. The anger, the lament, the yelling, the hurt, the chaos of the news cycle bowed to the belting persona Slate calls, “foul-mouthed and self-deprecating, with a thick North London accent, [resembling] a Brit version of Jennifer Lawrence except unapologetically plus-sized.”

Adele making a funny face on SNL

Adele took over the world, it happened, proven now as we all say bye, bye, bye to Nsync’s 15-year-old record of albums sold in a week. But, as she was conquering us all, she might have also saved us all. Is it her voice? Is it her timeless melodies? Is it her relatable lyrics? Is it her down-to-earth demeanor? Yes, all of it. Adele is unique, but speaks for us all. Here are three ways Adele saved the world.

1.) She demanded silence

Her previous albums, that have now sold over 30 million copies, taught us how to grieve the losses of life. Unfortunately, they left us there. It was like a grief counselor perfectly describing why you feel crumby followed by, “Now all you need to do to move on and feel better is…” We have been waiting four years on that ellipsis! Paused, holding our breath, an ear to the world listening for her to complete her next sentence. Then it came and we all shut up to listen. It is a voice that demands respect, a voice that fills our ears like it belongs there. It belongs there because Adele holds a specific place in our lives.

2.) She became our big sister

With 19 and 21, Adele was introduced to us as a best friend. She was lyrically going through what we’ve all gone through. She sat at our Sex and the City brunch table, sipping her cosmo shooting the breeze about her break up through her delightful Cockney cackle. Now, though, Adele has matured and transitioned from our best gal pal to our big sister. The gap from your teen/early twenties into almost-thirties is a canyon of failures, successes, wisdom, and obliviousness that lays a lot of the foundation of who we become as we live out rest of our lives and with 25 Adele sure is living. She’s moving on and bringing us with her. She is sitting on the edge of our bed with us saying, don’t worry younger sibling, your heart will mend, there is hope. 25 still cuts with the shards of fresh breaks but is complex enough to exhibit her growth as an artist and a person.

3.) She gives millennials a good name

And our generation is complex! We don’t have the luxury our previous generations have of a more black and white society and we are just now getting over the ignorance of our youth. As the millennial generation matures we need more distinct voices to put the words to our shades of gray. Those same words we were searching for under the rubble of our political polarization. Our generation so far has largely been defined by YouTube rants and selfie captions, but we are maturing past the doodled on pages of our diaries. We are starting to see the world. We are starting to get involved and cast vision for the future. Now Adele is our soundtrack for that.

Adele 25

There is so much about our world that doesn’t make sense right now. As we try to make sense of it all, the power Adele has flexed this week gives us hope. Simultaneously, as she asks her lover in “All I Ask,” “what if I never love again?,” the response to her album proves that, even after four years of silence, we will love again. We will hurt again. We will cry again. But absolutely, undeniably we will love again.