Combatting White Supremacy with Narratives Not Our Own

The vast majority of white people wouldn’t identify as white supremacists. The vast majority of whites think white supremacy is ugly and unacceptable. It is also true that a significant portion of the white community does not have close relationships with people of color. Additionally, it can be easy for white Americans to see minority-generated art (such as movies and TV) and assume it is made for a minority audience and is not for them.  But when we have few friends of color, and seek out little or no stories that are about people who don’t look like us, we are allowing our stories to be supremely white.

When we aren’t regularly seeing stories about people in different walks of life, we unconsciously think that everyone’s story is like ours. We become confused and sometimes angry about the way others react, or we say thoughtless things that we don’t realize are insensitive and insulting. The more we immerse ourselves in a variety of stories, the more readily we can empathize with people of color and think more effectively about our own actions and perceptions. Especially for people who are limited by geography and do not live in diverse parts of the country, seeking out the stories of others is a very simple way to broaden your understanding. If you were upset by the events in Charlottesville and want to fight semblances of white supremacy in yourself, here are some suggestions for movies and TV that you can watch in the coming months to help make your narrative less white:

Television 

Queen Sugar

I think this is hands-down one of the best shows on TV right now, and a lot of us haven’t heard of it. In its second season, Queen Sugar airs on OWN and is produced by Ava DuVernay (director of “Selma” and the upcoming “A Wrinkle in Time”). It’s a contemporary story set in New Orleans about three siblings and their extended family, and their struggle to maintain the family sugar cane farm. The storylines and characters are very complex and the show does a fantastic job of addressing social issues in ways that nearly always feel natural and relatable. The first season is streaming on Hulu, the current season is available for purchase on OWN’s website (or on demand).

Queen Sugar

Black-ish

A sit-com on ABC, this show is funny and at times exaggerated  while also addressing issues of race and socio-economics in poignant ways. It’s about a successful black family in the suburbs navigating the differences between how the parents grew up (in a poor neighborhood and a hippy commune) and how to raise their children to understand race in America in light of their current affluence. I appreciate that the show depicts a wide range of modern black experience in humorous and heartfelt ways.

Luke Cage

This is a recent addition to the Marvel universe on Netflix. Luke is a super hero whose super power is being super strong and bullet-proof (an intentional play on the vulnerability of black men who live under constant threats of violence). The show is set in Harlem where the community is being pulled in many different directions between crime and renewal. Luke is caught in the middle as he tries to protect his neighborhood against violence and corruption. The show is quite gritty and has some adult content, so check the viewer warnings and decide if it’s right for you.

lukecage-series

This Is Us

This show was wildly popular so many may have already watched it. It’s a show that has a blended cast and talks about issues of race very thoughtfully. The cast is phenomenal and the writing is great. The family is predominantly white so for audiences who are unfamiliar with diverse narratives, it is a good entry point into more diverse entertainment. Use this show to start paying attention to how black characters are portrayed, how many scenes/lines they have compared to the white characters, whether they are portrayed as equals or as weaker/inferior, etc. The first season is streaming on Netflix.

Movies

Hidden Figures

This movie does a wonderful job of striking a balance between gritty realism and inspiration. Based on real people and true events, the film tells the story of black women working at NASA during the space race. It’s informative, it’s very engaging, and it’s appropriate for young audiences as well as adults.

hidden figures

Creed

I’m a life-long “Rocky” fan, and director Ryan Coogler does a terrific job of breathing new life into this franchise. Actor Michael B. Jordan plays the son of Rocky’s rival and friend, Apollo Creed. The film has strong black characters and explores powerful themes of family and hope. One of my favorites in a long time!

Get Out

This is a technically a horror film so it’s not for everyone, but I normally can’t do scary movies and I was fine. The genre of horror at its best is meant to focus on a social issue and magnify it through the lens of fear. (The majority of horror films fail to do this, so don’t hear this as a blanket endorsement for all horror.) Writer/director Jordan Peale creates an extremely clever exploration of the appropriation of black culture and black bodies. He reverses the typical trope of the black side character being the first to get killed off, and forces the audience to confront our perception of black men as aggressors. If you can hang in there for a few scenes of violence and some suspense, it will be worth it. Check out Ivan’s full review here.

Fruitvale Station

Ryan Coogler’s directorial debut, this film was ahead of its time in discussing police violence. Based on the true story of a young man, Oscar Grant, in San Francisco killed by subway security in 2008. The film tells his story and the events of his final day. It is sobering subject matter and simply shows Oscar as human. An early role for Michael B. Jordan, this is a helpful choice for exploring the topic of the relationship between the black community and police.

fruitvale_station

Please think about trying some of these suggestions, and please know that this is only scratching the surface. My hope for you is not that you will watch a handful of these options and then feel that you know all black people. I hope that this will spark on-going interest to learn more and to also seek out personal relationships with people who don’t look like you. This is one simple step out of many that we can all take to move towards being a more hospitable and unified country.

Note: I’ve enjoyed a few comedies, “Ugly Betty” and “Jane the Virgin”, which are Hispanic-centered. This is an area of American entertainment that needs to keep growing. Unfortunately there are very few options for Asian American media. “Man in the High Castle” on Amazon has one of the largest Asian casts out there, but it is also sci-fi and is therefore limited in its exploration of current cultural issues. “Master of None” (Netflix) from comedian Aziz Ansari is a brilliant look at first-generation children of immigrants as well as broader racial/social trends. (The show will be fairly edgy for many viewers which is why I am not widely recommending it.) As audiences our money and viewership matters and we can join with others in asking for more stories and representation than is currently being produced. Keep paying attention to how different people are portrayed and put your support behind art that is complex and equitable. 

 

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Don’t be surprised by Wonder Woman

Let me describe a scene to you from the most recent Star Wars movie, Rogue One. Tell me if it feels familiar to you. The story’s lead Jyn Erso has agreed to help the Rebel Alliance gain access to her former mentor Saw Gerrera. They travel to Empire occupied Jedha, home to Gerrera and an ancient Jedi Temple. It’s not long before Erso and the rebels are caught up in scuffle, as Star Wars rebels tend to do. Erso is being led around the planet by rebel leader Cassian Andor. Andor has been carrying the weight of rebellion on his shoulder for years. He is constantly burdened by the safety of the mission and his team. There is a pride to this burden and this pride leads to my least favorite scene in the movie.

In the middle of the skirmish, Andor is leading Erso around a chaotic battlefield reminiscent of scenes of modern warfare we’re used to today. Naturally, Andor can’t possibly account for every danger around every corner and he and Erso get cornered by a squad of dreaded Stormtroopers. Looking at Andor you see the face of failure. They’re doomed, dead where they stand. Suddenly, Erso kicks into high gear and drops both the troopers and Andor’s jaw. He can’t believe Erso single-handedly dismantled the troopers. He can’t believe Erso, who is the mentee of the very accomplished rebel they were there to find, who had been providing for herself for the better part of a decade in a conflict-heavy galaxy, who he had rescued from a prison labor camp alongside other hardened criminals, who is the daughter of one of the greatest geniuses in the galaxy, could possibly have the skills to survive that situation. So why is Andor surprised?

Wonder Woman Old Panel

Andor is probably surprised because decades of film history have told him that whenever a woman fends for herself, its surprising. This is a feeling of surprise Han and Luke felt the minute Princess Leia grabbed a blaster and led them down the garbage shoot. So here we are, it’s 2017, and we have our first big-screen adaptation of the world’s most famous superheroine, Wonder Woman. Wonder Woman has been around for decades, and, in that time, has fought her way from the Justice League’s secretary to one of the busts carved into DC Comics’ Mount Rushmore alongside her fellow pop culture icons of Batman and Superman. One would hope that, as we’ve entered a moment in cinematic history where studios are ready to put women in the title role and in the director chair, we would stop being surprised by what women are capable of. One would hope…

Diana Prince aka Wonder Woman and her male companion, Stever Trevor, enter a dark London alley. They’re carrying crucial intelligence the British military needs to gain an advantage in World War I and are being pursued by undercover German soldiers. Just like Erso and Andor in the battle on Jehda, Trevor leads them into a corner. He doesn’t see a way out, and he’s burdened by a need to find a way out of this hopeless situation. A German gun goes off and Trevor knows the bullet’s for him. A “ping” familiar to Wonder Woman fans rings out as Prince stops the bullet with her signature cuffs. Trevor’s jaw drops. He’s surprised that Wonder Woman, the one who saved him from a plane crash, the one who he watched take out a dozen German soldiers in an earlier battle, a woman he learned is from an advanced race of Amazon warriors from a supernaturally hidden home world, could possibly be the solution to them surviving the ambush.

Amazons

Wonder Woman, as a film, is filled with breathtaking action scenes, charmingly fun banter between interesting characters, and some of the coolest, most memorable superhero moments committed to film. It belongs at the top of the list of DC’s most recent efforts and right alongside its Marvel Comics (Avengers, Iron Man, etc.) peers. As reviews for the film have been positive, and as Wonder Woman continues to be a cultural icon, my fear is that story that comes out of the box office this weekend will be headlined by surprise.

Wonder Woman will lead the box office in bouncing back from the lowest Memorial Day numbers in about a decade. Last week, two movies were released that were supposed to kick start the summer cinema season. Helmed by a juggernaut franchise and a human juggernaut in The Rock, Pirates of the Caribbean 5 and Baywatch were financial disappointments. They led the summer into a dark alley and had studios questioning if they’d survive. Here comes Wonder Woman to save the day.

Gal and Director

Wonder Woman herself, Gal Gadot, with director Patty Jenkins

We live in a world with Aja Brown, the mayor of Compton, who led successful peace negotiations between rival gangs the Bloods and the Crips. We live in a world with Ava DuVernay, acclaimed director who not only became the first female African America director to helm a $100 million budget movie with Disney’s A Wrinkle in Time but, also, created the wildly complex and riveting Queen Sugar, a show she intentionally hires up-and-coming female directors to lead. We live in a world with Aung San Suu Kyi, who was under house arrest for 15 years for her political activism before being elected to lead the Myanmar government. We live in a world with Supreme Court Justice Sonia Sotomayor, Olympic Judo Gold Medalist and sexual assault survivor/activist Kayla Harrison, activist for female education Malala, Facebook COO Sheryl Sandberg, and astronaut and engineer Ellen Ochoa. We live in a world where more women than men are graduating college. We even live in a world where even American Ninja Warrior has seen Jessie Graff break course records. There are women of wonder all around us.

The success of Wonder Woman shouldn’t be a surprise, and, hopefully, will send a clear message that we’re ready for more. Just recently, Academy Award winning actress Jessica Chastain, while serving on the Canne Film Festival jury, commented on the current climate of female representation in film, “It was quite disturbing to me, to be honest.” For this to change, our view of what women are capable of has to change. We have to believe women can lead brilliant, complex and compelling stories because they live those stories every day.

We’ve come a long way and Wonder Woman might be the beginning of something great. Her character, like the women of the world, has fought for her place on the marquee. We have forced women to fight for their place at the voting booth, in the classroom, in the lab, on the hill, in the battlefield, at the finish line, and in the conference room. Women will continue to fight, so when will men stop being surprised when they can fight better than us?

Justice League

Why I’m #TeamIronMan

In my most honorable hopes and dreams, on the political, ideological battlefield of Marvel’s Captain America: Civil War, I am #TeamCap all the way. Captain America is super strong, super genuine, super honest, super filled with integrity, and super human. He is everything I want to be. Tony Stark (Iron Man) on the other hand, he is flawed, riddled with guilt and shame, and guided by fear and arrogance. So if I’m being honest with myself, in my true/human heart, I am #TeamIronMan.

Civil War Tony 8

If you haven’t seen Civil War yet and plan to this is the time to turn away, read my spoiler-free piece on grace and #TeamCap, and come back after. Because to talk about Tony’s flawed, human heart we have to go to Spoilertown. Yes, that was a *SPOILER ALERT*. This is a *SPOILER REVIEW*. Run away now if you don’t want *SPOILED*.

There are interesting parallels to the development of the Marvel Cinematic Universe (MCU) and the story they have built for the man that started it all, Tony Stark. It was all kind of an accident. Marvel took a B-level hero and by creating a fun story with a perfectly cast lead, launched a blockbuster-making machine. In the first Iron Man film, through a series of coincidences including Tony’s imprisonment by terrorists, his will to survive transforms him into a hero. This launched the Earth into a hero-assembling machine and began to bring bigger and bigger threats to humanity’s doorstep. Thus the trajectories of Iron Man and Captain America begin on their inevitable collision course.

Civil War Tony 1

In the MCU, Captain America is an American soldier who fights throughout WWII. He’s been to basic training, he is willing to give up his life for his fellow soldiers and relies on them to feel the same way. Not only that but he is eventually frozen only to wake up 70 years in the future when everyone whom he loved was dead or dying. This leaves Cap’s world with only fellow soldiers…only people he keeps at arm’s length because he knows the cost of war. Cap’s world view is that of sacrificial servanthood. A servanthood he lives into as a superhuman with the powers to take on any threat with very little limitations.

Then there is Iron Man. Tony Stark grew up in privilege. He is a scientist, inventor, builder, businessman…not a soldier. The MCU takes place in his current life time that features a humanity that Tony increasingly cares for because he is a part of it. Throughout the first two Iron Man films he is strong, battle-tested, and has few limitations, but something happened through the course of The Avengers and Iron Man 3. The universe got bigger as did the threats to humanity. The Earth got smaller as did Tony Stark.

Civil War Tony 2

Once Tony, who was fighting alongside a Norse God at the time, took a look through an intergalactic worm hole and saw one of the endless powerful threats on the other side, desperation set in. It was no longer enough to be a regular human in a suit of armor.

The world, the people he loves (primarily Pepper Potts), and Tony himself are vulnerable. In Tony’s mind we need thicker armor and better weapons. This mindset leads to the creation of Ultron, the A.I. baddie in Avengers: Age of Ultron. Which then leads to massive casualties. This then enslaves Tony by his guilt, shame, fear, and doubt.

For Cap, any loss incurred during war is expected. Mostly because he signed up to die if necessary and has the powers to make sure, under most circumstances, that won’t happen. For Tony, any loss experienced is devastating because the threats are now big enough that at any moment his armor could fail and the loss could be him or, worse, Pepper. In his deepest fears, he expects no loss at all.

Cap isn’t a mindless, emotionless drone, but because he sees the world and war in this way he fights with freedom from the fear of death. Tony fights under the constant fear of death, and because of that puts incredible pressure on himself to try to fix things. He creates more armor, and creates more weapons. Which, to this point, has only created more death. There is a telling scene in Iron Man 3 when Tony is attacked at his home and dons his armor only to fall into the ocean in his heavy metal suit as his house crumbles on top of him. Under water, confined in his suit, with concrete raining down on him. This is a situation he incited, locked in his own creation…is suffocating.

Civil War Tony 7

Cap has witnessed his entire life fade away into the past. Governments and agencies have fallen or changed, and all of his friends and family have passed. He lives knowing death is inevitable. Tony thinks he is stronger than death and therefore it is his responsibility to save everyone else from it. We see him struggle with this to the point of panic attacks in Iron Man 3 and we see him fall even deeper through the course of Civil War. His quest to save everything has driven Pepper, the one he ultimately was trying to protect, away. He is confronted by the mother of a causality from the Ultron incident that causes him to make a deal with the government which drives away half of the Avengers.

Then the Civil War story ends with Tony being confronted one last time with the limitations of his humanity. He thinks he is stronger/smarter than death. He thinks that he can save everyone, but the moment in his past where he truly interacted with the death of his loved ones, there was nothing he could do. When his parents died back in 1991, it was an act of this war the Avengers are still fighting. They died at the hands of The Winter Soldier a.ka. Bucky a.k.a. Cap’s best friend. In the concluding sequences of Civil War, Tony watches the footage of Bucky, another superhuman, murdering his parents. In that moment, all of the guilt, all of the shame, all of the fear, all of the doubt, all of the human limitations are lighting a fire that makes his blood boil for vengeance.

Civil War Tony 3

I think about the apostles of Jesus. Jesus told them of a kingdom to come, a kingdom defined by everlasting life in the freedom of a sinless world. Then, to their horror, Jesus is arrested, beaten, and violently murdered for the world to see. They had believed that Jesus was God. They had believed that they would live in freedom. They watched Jesus heal the terminally ill and raise the dead. On Good Friday, they were left with all of the same emotions Tony had watching his parents die. That is guilt and shame that they couldn’t save Jesus from death. Also, fear and doubt that they also won’t be saved from a similar fate. In those dreadful days, their lives were defined/confined by death’s sting.

But then, on the third day, Jesus rose from the dead. In that moment, the disciples were released from that guilt and shame, their fear and doubt began to dissolve. Knowing that death was out of their control, they were free. Now that death was conquered by Jesus, their lives were defined by eternal life. Tony sees that death is outside of his power and so he seeks to take control of it one last time in the form of revenge against Bucky. He tries to control death by taking it in his own hands. The end of Civil War isn’t a happy one, but I hope that in the next chapter Tony begins to see the error of his ways. This is a hope that I have for myself because I often live under the chains of guilt, shame, fear, and doubt.

Civil War Tony 6

It’s also a change of heart vocalized by Black Panther. Talking to the film’s true villain, a man who lost everything in the Ultron incident and is now fueled by revenge, Panther says, “Vengeance has consumed you. It is consuming them. I’m done letting it consume me.” Maybe in time Tony will see that he cannot control death, but that he can live a life for others without the fear of dying. Maybe in time I’ll see that too if I remind myself of Paul’s words in Galatians 5:1…

For freedom Christ has set us free; stand firm therefore, and do not submit again to a yoke of slavery.

Why I’m #TeamCap

“He’s my friend.”

“So was I.”

This stand-out line of dialogue heard in the early Captain America: Civil War trailers might be the most central exchange to the overall theme/lesson of Marvel’s newest chapter in their expansive cinematic universe. The title of the film implies conflict between friends on our well-established Avengers team. So I’m hoping that knowing Tony Stark a.k.a. Iron Man and Steve Rogers a.k.a. Captain America fight in this film doesn’t come as a surprise to you, but if so turn away now. Otherwise, keep reading as that is as spoilery as we’ll get.

Leading up to the film’s release, the studio asked fans to choose whether their allegiances rest with #TeamIronMan or #TeamCap. One of the accomplishments of Civil War, and there are many, is that leaving it, you probably won’t have a clear answer. Both sides were well explored and well represented in the film, and it made for some great conversation in the car ride back. Still, looking at the motivations of both our heroes…I went in as #TeamCap and left as #TeamCap. My reasons point back to that line of dialogue.

Civil Ware 1

The “he” in that line is Cap’s longtime friend and titular character in the last Captain America movie, The Winter Soldier a.k.a. Bucky Barnes. The Cap films have been building this relationship across all three of his solo stories and so it makes sense that it is central to this installment. A lot happens in this movie and the political and emotional circumstances that lead to all of the superhero sparring matches would take a lot of explanation, but for my money we will focus on the most important motivation for Cap…Bucky.

Basically, without spoiling too much for those who haven’t seen the other Cap movies, what you need to know about Bucky is that he and Cap were BFF’s since day one. While on a mission something happened and Bucky was assumed dead only to reappear years later as The Winter Soldier, a Hydra (the baddies) sleeper agent/assassin who did a laundry list of Hydra’s evil biddings. He was experimented on, tormented, memory wiped, conditioned, and mind controlled to do these things and really hasn’t had a chance to deal with or heal from much of that. That is mostly what Captain America wants in Civil War, a fair shake and a second chance for Bucky. His main mission is to see that Bucky receives grace.

Civil Ware 3

Unfortunately for Cap and Bucky, this comes to a head during a very charged political climate in the superhero world and Iron Man is on the other side of the issue. Now, after years and years of friendship and fighting side-by-side, the ideological differences between Iron Man and Cap are revealed for the whole world to see.

This is largely what Civil War is about…this conflict, but it is also a conflict that arises after years of being on the mission field. Lots of things can happen when you’re on a mission. You win battles, you lose battles, you learn more about yourself, you learn how to focus your work, and relationships come and go. This is not a foreign concept to our Biblical story.

Civil Ware 4

Seeing Cap and Tony waxing politics, beliefs, and strategies reminded me of a brief but significant moment in the ministry of Paul. Barnabas and Paul were a missionary team that saw their fair share of battles on the mission field. These battles were dangerous. These battles left scars (Acts 14:19). Throughout their journeys, though, we see Paul coming into a better and better understanding of the calling on his life to be the apostle to the Gentiles. His specific mission gains focus and his strategies begin to form around that focus. Then in just a few, somewhat vague lines of scripture, we see that Barnabas doesn’t share the same vision. They disagree and they part ways (Acts 15:36-39).

When I read through Acts and Paul’s follow-up letters to the places where he started churches, what stands out is Paul’s deep love for the Gentiles. What an amazing testimony to the Gentiles to have a man that objected so loudly and violently against them being included in the Body of Christ be the one called by God to tell them that the story of Jesus is for them. Paul became so focused on his calling it became more important than his own health and safety (Acts 16:16-40) and it also took priority over his partnership with Barnabas. Paul cared so greatly that this message of grace got to the Gentiles he was willing to fight for his strategy.

Civil Ware 2 

In Civil War, Cap risked losing friends, imprisonment, and death in order to protect Bucky so that one day he may experience the grace he so needed after his time as Hydra’s puppet. Being Bucky’s advocate was a dangerous position as was Paul’s being the advocate for the Gentiles. God has placed us all on our own personal mission fields surrounded by people that need grace, by people that need to be advocated for.

Civil War doesn’t have a very fun, clear cut conclusion. The battle is messy and it left a lot of physical and emotional scars. It was dangerous and scary. For Cap, though, Bucky was worth it because he is his friend, because he got a raw deal, and, perhaps, because he represents all of us. We all need second chances. We all need the freedom that comes from the gospel of our gracious God. If Bucky can’t receive that freedom what hope do we have? Is there someone in your life whose grace is worth fighting for?

Now Iron Man…that is a different story, a story about guilt, shame, and fear. Maybe I’ll have to write about that story too? To be continued…